The famous Chinese contemporary cultural scholar Xiao Jian made a cultural orientation for Liubao tea: he pointed out that Liuzhou tea in Luzhou and Yunnan Pu'er tea are the same as the famous Chinese tea in the millennium, and Liubao tea embodies the cultural meaning of the festival in Luzhou. The key lies in the characteristics of “redâ€! China Red is the theme color of Chinese national festivals, cultural worship and spiritual conversion, symbolizing peace, celebration, harmony and prosperity. The "redness" of Liubao Tea not only embodies the cultural meaning of the Spring Festival celebrations in Luzhou, but also reflects the Chinese traditional culture's compromise, natural and harmonious beauty! [1-5] Since then, Liubao Tea has received extensive attention and recognition from domestic cultural circles, tea circles and mainstream media, and its social influence has been greatly enhanced. Xiao Jian is a well-known figure in the Chinese contemporary cultural world. His academic and theoretical achievements have won widespread attention and high recognition in the society. Xinhua, People's Daily, China Net and other mainstream media have paid close attention to and continued to focus their academic activities. It has played an important role in enhancing the influence of Lingnan culture and the Pearl River culture in China.
Xiao Jian pointed out that the six Fort Fortress tea embodies the cultural significance of the Lunar New Year festival. The key lies in the "red" feature! Red is the theme color of Chinese national festivals. It is also the Chinese people’s totem worship, cultural worship and spiritual conversion. China Red, with its ideals and aspirations of peaceful celebration, harmonious reunion, and prosperity, means to abandon evils and promote goodness. Red, which has been inherited from the past five thousand years, is a high-level summary of the history of the Chinese nation's continuous growth and prosperity. Therefore, it is said that red is both the color of the nation and the philosophical view of the nation. It seems that the characteristics of "Red" in Liupu Tea not only embodies the cultural characteristics of the Spring Festival celebrations, but also embodies the Chinese traditional culture's eclectic, natural and harmonious beauty! This philosophical view is consistent with the concepts of "harmonious society" and "beautiful China" advocated by us all!
Embodies the Cultural Meaning of "Chinese Red" - Liubao Tea
Millennium Chinese Tea - Liupu Tea
Xiao Jian pointed out that in 2011, the General Administration of Quality Supervision, Inspection and Quarantine of the People's Republic of China approved the protection of geographical indication products in Luzhou Liubao tea according to the “Regulations on the Protection of Geographical Indication Productsâ€, and the intellectual property of the “National Geographical Indications Protection Product†of Liubao Tea is permanently owned by the People’s Government of Luzhou City. All of them made scientific explanations and regulations on the geographically unique attributes and industry standards of Liubao Tea. The implementation of geographical indication products protection for Luzhou Tea in Luzhou directly promoted the development of Liuzhou tea culture in Luzhou to a higher level! [6-7]
Xiao Jian pointed out that in recent years, the tea industry in Quzhou has generally focused its understanding and attention on Liubao tea in Zhangzhou on the quality characteristics of “red, strong, chen, and alcoholâ€, and traced and discovered the history of Liubao tea in Zhangzhou. Not enough strength. In fact, Luzhou Liubao tea not only has its own distinctive features, but also has a profound historical and cultural heritage. Luzhou Liubao Tea has historically had the same influence and splendor as Yunnan Pu'er Tea. Xiao Jian suggested that the tea industry in Liuzhou, Quzhou, should actively think about how to make Chenzhou Liubao Tea regain its status in the Chinese tea industry and recast the Liubao tea culture in Ganzhou for thousands of years!
Chinese Contemporary Cultural Scholar, Writer, and Literary Critic Xiao Jian
Xiao Jian is a famous Chinese contemporary cultural scholar, writer and literary theory critic. The famous people who promote the development of Lingnan culture and Pearl River culture in contemporary China. The founder of Po Wei Zhai. The creator, advocate, and practitioner of Poor Wedge Philosophy ("Poor Wedge Theory"). Xiao Jian is committed to advocating, excavating and inheriting the Lingnan culture and the Pearl River culture in China, and is committed to making a cultural orientation for the Pearl River Valley culture. Xiao Jian took the lead in breaking the social perception that Chenzhou has only 2100 years of history. He synthesized the academic research results of famous experts and scholars such as Huang Weizong, Li Junkang, Zeng Qiang, Chen Yuyan, Wu Chenghua, Peng Zhichuang, and pointed out that Zhangzhou is a place with In the ancient city with more than 4100 years of history, the history of Cangzhou began in Sui Dynasty. Cangzhou was the birthplace of Lingnan culture and Pearl River culture. The political, economic, and cultural centers of the ancient Lingnan area and the Pearl River basin were common in the Pearl River basin, the Yellow River valley, and the Yangtze River basin. Created a diverse, splendid civilization of the Chinese nation up and down five thousand years of civilization. This proposal traced the history of civilization in Zhangzhou to the ancient times, and moved the history of Ganzhou two thousand years ago! Xiao Jian, respectively Fuzhou Characteristic Street (proposes “Cangzhou multi-cultural cultural district features ancient and modern featuresâ€), Luzhou Spring Festival celebrations (proposed "Chenzhou Spring Festival celebration culture" cultural category), Luzhou Spring Festival floral culture, Luzhou Jinshayu, Luzhou Jewellery and jade culture (proposed "Cangzhou jewelery and jade culture dual constellation" cultural category), Luzhou Liubao Tea and other Pearl River culture culture as cultural orientation. Xiao Jian, the prose creation embodies the artistic features of the “Double-Ventureâ€, and the literary criticism reflects the development and inheritance of the Chinese Pearl River cultural theory. Xiao Jian is unique in creating a philosophy of poor wedges ("Wholly Wedge Theory"), which has won wide recognition in society. Mr. Huang Weizong, a well-known Chinese contemporary cultural scholar, writer, and literary theory critic, highly praised the “Poor Wedge Theory.†He thought: “The Poor Wedge Theory has ideals, personality, and profound meanings! This can be found among young people today. The ideal person is very rare, and it is commendable! It is even more true in the academic and literary circles!†Xiao Jian is the first person to explore and lead the Luzhou native calligraphy and painting art to go on a market-oriented and internationalized path to win the reputation of Zhangzhou calligraphy and painting. In October 2011, Xiaojian organized and organized the “Farewell Zhai 2011 Auction of Famous Masterpieces of Famous Calligraphers and Artists (Guangzhou) and Lingnan Painting School Academic Seminar†at the Oriental Conference and Exhibition Center of Guangzhou Oriental Hotel. It was the first time to lead the famous masterpieces of Luzhou local painting and calligraphy. The overall appearance of the Guangzhou auction market, the auction to update the auction record of Zhangzhou's local auction of paintings and arts, Xiao Jian wrote academic papers for Lingnan famous paintings (cultural positioning) "Zheng Weibiao <Hushan Qiu Xiaotu> <Qiu Lin Ye Xing map> “Art Appreciation†has received enthusiastic responses from domestic cultural circles and the investment and collection of works of art. It has won attention from dozens of mainstream media such as Xinhua.com, People.com, and Guangming.com, and has greatly enhanced the art of painting and calligraphy in Zhangzhou. The social reputation and influence of the creation achieved the first successful docking of the famous masterpieces of Luzhou local painting and calligraphy with domestic and international collections and investment markets! Xiao Jian's Academic Paper (Cultural Orientation) "Zheng Weibiao <Hushan Qiu Xiaotu> <Qiu Lin Ye Xing
Six Fort Farm Tea
Figure > “Double Art Appreciation†highlights the characteristics of literary theory criticism from the perspective of culturology, philosophy, aesthetics, and perspectives. It also systematically analyzes the spirit of Lingnan school of painting and the openness, diversity, compatibility, pioneering, and innovation of the Pearl River basin. The characteristics of water culture are recognized by the academic community as the development and inheritance of the Chinese Pearl River culture theory pioneered by Huang Weizong, as well as a model used in the field of literary criticism. Xiao Jian is a well-known figure in the Chinese contemporary cultural world. His academic and theoretical achievements have won widespread attention and high recognition in the society. Xinhua, People's Daily, China.com, China Daily.com, China Economic Net, Jinyang.com, etc. The mainstream media has paid close attention to and continued to focus on its academic activities, and has played an important role in enhancing the influence of Lingnan culture and the Pearl River culture in China. Xiao Jian, male, Han nationality, pen name poor wedge, was born in August 1980, was from Quzhou, Guangxi. Studied at the Department of Chinese in Sun Yat-sen University, under the leadership of the founder and advocator of the Chinese Pearl River Cultural Theory, and Mr. Huang Weizong, a well-known Chinese contemporary cultural scholar, author, and literary theory critic.
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